The Hidden Victims of Wartime Rape by Lara Stemple

There have been a lot of recent tragedies in Africa and a lot of attentions have been giving to the female victim. In this article Lara Stemple want the same attention to be giving to the male victims as well. As stated the reports of male rape in Congo has been made clear that wartime sexual violence is not limited to women and girls. As of now, the United Nation has the situation at hand and they overlook sexual assault of men and boy. Lara Stemple wants us to see the reason while sexual violence against men occasionally make the news. Sexual violence is ‘any violence, whether physical and/or mental, carried out through sexual means or by targeting sexuality’ (Lewis, 2009). An example is the sexual abuse and humiliation that took place in Iraq at the Abu Ghraib prison stunned the world. In this article â€Å"The Hidden Victims of Wartime Rape† by Lara Stemple, she used all 5 rhetorical elements, the argument of reason, argument of the heart, style, argument of character and shape, they are rank from most important to the least important to prove her point. Lara’s article is very informative and supportive and I believe that she has worked so hard to make sure that the male â€Å"victims† are been vindicated. To persuade the readers, Lara Stemple used argument of fact and reason which is the strongest argument she used to present between the lines of her article â€Å"The Hidden Victims of Wartime Rape.† She further stated that â€Å"the United Nations has attempted to take wartime rape

The Effects of the Female Characters Departure in both A...

In both A Doll’s House and Like Water for Chocolate Henrik Ibsen and Laura Esquival respectively, each make one of their women characters leave not only their houses but even their lifestyles and cultures. Nora in A Doll’s House leaves her home in search of her true inner self. While Gertrudis in Like Water for Chocolate leaves her house in her own endeavor to escape Mama Elena’s repression. Bothe Ibsen and Esquival make use of a variety of literary devices and styles in order to show to the readers/audience the effect the departure of Nora and Gertrudis has on not only the other characters in the work but also the entire work itself. Each of the two characters exit the works under different circumstances and it is this dissimilarity that†¦show more content†¦She points out to Torvald that their marriage was a clear failure when she questions Torvald, â€Å"How could you ever teach me to be a proper wife? Your wife?† (Ibsen 82). To this question Torvald is unable to provide a reasonable answer hence proving Nora’s point about the failure of their marriage. Further, the sudden change in Nora’s behavior during the second half of the play is significant as it symbolizes her clear intent to depart from the house in search of her inner-self. The egression of one of the female protagonists from each of the works has a profound effect of the other characters and their development. The departure of Gertrudis is met with both extreme anger and sadness –opposite emotions. Mama Elena’s reaction to Gertrudis’ ‘elopement’ is one of absolute outrage. She in a way almost disowns Gertrudis by â€Å"burned [burning] Gertrudis’ birth certificate† (Esquival 55) and claiming that she â€Å"didn’t want to hear her name mentioned ever again.† (Esquival 55) The diction of the sentence and the usage of the word â€Å"ever† are significant as it shows the extent of Mama Elena’s rage and disavowal towards Gertrudis. At the other end of things, it is clearly evident to the reader that Tita is sad and dissolutioned by Gertrudis’ exit as Tita saw Gertrudis’ rebellious tendencies towards her mother as a fulfillment of her own desires to rebel against her ty rannical mother. On the other hand, in A Doll’s House, the reaction of Torvald varies with the

Business Relationship Management Marketing -Myassignmenthelp.Com

Question: Discuss About The Business Relationship Management Marketing? Answer: Introducation Effective management of a network position refers to maximally utilizing the interrelationship a company or an organization has with companies in the industry. The position the company enjoys in the market should be well used or utilized by the company in order to assist in meetings its objectives. A company with good network position in the market should be able to identify its strengths and build on it as it expand or consolidate the position it enjoys in the industry. Network position can involve both local and international companies such that a an international company such as Procter and Gamble (PG) occupies a certain position in the market such that it can influence both companies in the country of origin that is the USA and other international companies within the same industry but located in different countries. (Daniels, Radebaugh Sullivan, 2011) Effective management of network position can therefore mean a company utilizing its niche in the industry to influence even the international companies. To effectively use this position companies need to make sure that timing of its products and service is appropriate not coming too early as it should or too late when the market is already saturated. For example, CFM International being the leading Turbofan airplane engine manufacture should ensure that it leads the market from the front by timely delivering the newer and improved version of the Turbofan engine to the market without coming in too early when could still enjoy the sales of the previous engine model or coming in too late when other companies have launched new versions of the same airplane engine. Thus to effectively manage network position any company with such an opportunity should pay great attention in its timing in all the major decisions it may want to undertake. (Geringer, Ball, Minor McNett, 2013) The company should also ensure that it utilizes partnerships with its peers and other companies in the industry. The company should ensure that it negotiate for favorable deals with the suppliers in the market such that the goods and services needed by the company for it to deliver its products in the market are of good quality and affordable price. The good quality will ensure that the company will deliver products to the market which are of high quality which will make more like the product. This will in turn ensure that the company continues to consolidate its position in the network even further. Affordable prices will ensure that the company gets bigger profit margin in the market thus increasing its profitability. The more the profits the company makes the better it can be able to expand to new markets and also make maximum returns to investment. The company can also utilize the loyalty customers have in its products or services by seeking to engage them more and further making them get used to company products such that it will be hard for a different company to convince them to embrace a different product more than the previous company. The best way to do this is by continually improving on the quality of the product through research and development as well as feedback from the clients on what they would like added, removed or adjusted in the product. (Dlabay Scott, 2011) A powerful relation plays a central role in effective management of a network position. Without a powerful relationship a company may not influence anything in the industry because it lacks the ability and goodwill to do so. For example, a company like Rolls-Royce the company has powerful relationship with its customers because they trust its products. Without the longstanding service and consistently producing quality products in aviation and marine energy the company wouldnt have been able to command such position in the market. (Sturdy, 2012) The power of trust it has from the customers can make the company launch a completely new product and the market would still embrace it as opposed to when the same product is launched by a new comer in the market or a company in aviation industry that has not established itself well in the market. Thus for effective management of a network position powerful relationship with stakeholders in the market or the industry must be in place. (Rugman , Collinson Narula, 2013) Powerful relationship also enables a company to influence its suppliers to deliver certain kind of products with certain specification. If a for example Rolls-Royce is leader in the market then it follows that it is one of the major buyers of materials form the suppliers in the industry. Thus since it purchases a huge number of materials from the suppliers the company has power to dictate terms and conditions to the suppliers to suit their operations and market demands. This power is drawn from the fact that the company is major market for suppliers and thus the suppliers will have no choice but abide by the consumer taste and behavior in the market. Thus without powerful relationship Rolls-Royce can not effectively manage network position. (Roberts-Phelps, 2014) A company can also influence its peers in the industry to create partnership such that these companies can leverage on the strengths of one another. To ensure that such partnerships came into fruition the company that begins the negotiation must power in such as way that it can offer the next company something that they do not have. The mutual benefit between the companies makes the relationship powerful such that both companies can be able to effectively manage network position in the industry. Without out such strengths in the relationship the two companies will not see the importance of collaborating together and thus each one of them will not be able effectively manage the their respective network position. Thus a strong relationship is always at the center of network position and how the same can be utilized in the best way possible. (Kleinaltenkamp, 2016) References Daniels, J., Radebaugh, L., Sullivan, D. (2011).International business(1st ed., pp. 5-11). Dlabay, L., Scott, J. (2011).International business. Mason, OH: South-Western Cengage Learning. Geringer, J., Ball, D., Minor, M., McNett, J. (2013).International business(1st ed., pp. 4-17). Kleinaltenkamp, M. (2016).Business relationship management and marketing. [S.l.]: Springer-Verlag Berlin An. Roberts-Phelps, G. (2014).Customer relationship management(1st ed., pp. 4-18). London: Thorogood. Rugman, A., Collinson, S., Narula, R. (2013).International business(1st ed., pp. 2-17). Sturdy, G. (2012).Customer relationship management using business intelligence. Newcastle: Cambridge Scholars.

Alec Guinness Essay Example For Students

Alec Guinness Essay Alec Guinness writes My Name Escapes Me The Diary of a Retiring Actor in purpose of documentation of his performance to commit his story to the public record. In the diary, Alec Guinness, at 82, shows his wishes to spend his declining years as, a retiring actor; he has not done with acting; he is still performing; yet retiring. This time his performance is committed to words in the commissioned diary. I see a diary as documentation of ones life, especially when it is to be shown to public. By definition, a document is aformal paper bearing important or official information. In the same sense, Alec Guinnesss diary is a document of his act of writing as Paul Matthew Pierre called. We will write a custom essay on Alec Guinness specifically for you for only $16.38 $13.9/page Order now In addition, the facts that it is commissioned and is admissionable to us, the public, that he is a public figure; and that it is commemorating his people suggest Guinnesss intentions for his stories and his performances, in the diary to be for the public record. Writing is another way of acting for Alec Guinness. His desire to perform is reluctantly replaced by writing. Alec Guinness wishes to act again: if I am to retired, I am in inclined to assume a pained expression and deny it. I doubt if any part, however small, would tempt me. *P 10* He openly shows his regrets toward his retirement forced by his senescent body: I think the T.V unit has finished with me it came home to me, almost savagely, that age has withered memory, alertness had taken what talent was there. *p 41*: my granny will be thrilled.*p 41* Also in the quotation, almost unrecognizable in the film. I like the almost, we see that he still wants to be remained as a public figure. His love for acting and plays are all-transparent in the book. He consistently refers back to the plays he has done and read. He often expresses strong opinions about the plays and the acting business: but I cant help feeling an actor should be made of sterner stuff. Than their ill report while you live. *p 19* Something like this quotation is not in character for him because he has been very conscious of making statements about other social issues. When he does make them, he does so indirectly that they could be interpreted in several different ways. These all imply that this old man desperately wants to act once more. Moreover, he finds another way to remain in the acting business and in the public eye: The difficulty is the chore of learning I used to be reasonably reliable and fairly quick, and diminishing physical vitality, both of which would choke any creativity effort. So I am happy to scribble instead. As we are reading his scribbles, we are seeing the other part of him; the inner Alec Guinness. He again impersonates and creates a new character as he writes. What he writes is about what he does and what  he does identifies who he is. His actions are committed to his words. Also his writing is performance in a sense that he is presenting himself in the book. He seems to be very conscious of expressing his opinions and views on sensitive issues like gender, class system, and racial matters as though hes overly awared of his audience. He was conscious of us, when writing this book. It was not his usual diary anymore. This mans diary described as, a small, strictly private almost, illegible series of daily jottings, has been published as My Name Escapes Me, being fuller, quirkier and more haphazard and, to my regret, unavoidably self revealing. *p 1* He could, in fact, write it in whatever way he wanted. .uf90c21f2a9f7fc3a94e8db71e70b933c , .uf90c21f2a9f7fc3a94e8db71e70b933c .postImageUrl , .uf90c21f2a9f7fc3a94e8db71e70b933c .centered-text-area { min-height: 80px; position: relative; } .uf90c21f2a9f7fc3a94e8db71e70b933c , .uf90c21f2a9f7fc3a94e8db71e70b933c:hover , .uf90c21f2a9f7fc3a94e8db71e70b933c:visited , .uf90c21f2a9f7fc3a94e8db71e70b933c:active { border:0!important; } .uf90c21f2a9f7fc3a94e8db71e70b933c .clearfix:after { content: ""; display: table; clear: both; } .uf90c21f2a9f7fc3a94e8db71e70b933c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf90c21f2a9f7fc3a94e8db71e70b933c:active , .uf90c21f2a9f7fc3a94e8db71e70b933c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf90c21f2a9f7fc3a94e8db71e70b933c .centered-text-area { width: 100%; position: relative ; } .uf90c21f2a9f7fc3a94e8db71e70b933c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf90c21f2a9f7fc3a94e8db71e70b933c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf90c21f2a9f7fc3a94e8db71e70b933c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf90c21f2a9f7fc3a94e8db71e70b933c:hover .ctaButton { background-color: #34495E!important; } .uf90c21f2a9f7fc3a94e8db71e70b933c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf90c21f2a9f7fc3a94e8db71e70b933c .uf90c21f2a9f7fc3a94e8db71e70b933c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf90c21f2a9f7fc3a94e8db71e70b933c:after { content: ""; display: block; clear: both; } READ: PRO-GAY MARRIAGE IN AMERICA EssayMaybe it is not himself that he is portraying. After all, he is an actor. However he declares that it is his two years he is writing about, I have been unable to disguise my phobias, irritations, prejudices though the latter are often short lived and my childishness and frivolity. and when the show is over, or the days shoot, and he is once more Alec: the show is over and he is once more Alec Guinness in this diary. The show that previous other world where life has meaning, form and resolution, events perched accord or written rule. The title, My Name Escapes Me, may be implying that his name, Alec Guinness, which the public remember it as when it has disguised itself with a new identity, is not here in the book with the real Alec Guinness. He is presenting himself out side the film in normal life. Perhaps, he now wants us to remember him without the images of his well-known name and face, appearing on the screen. Perhaps, that is the reason that he is documenting himself as in realistically at his retirement stage. However, in the same way that he has always disguised himself in different personas to us, this again is a new Guinness to us, bringing out curiosities. His familiar name also created mystique around the book; there is little insight created by the title. Alec uses his title, his new name effectively reach out for publicity. He refers records of peoples deaths as obituaries, a formal announcement or report of a persons death, often giving details of their life and work; I had hoped to complete this d iary with no further obituaries but that was not to be. Sometimes, somehow, I must try to write something about Peter. This quotation gives insight about his character. He seems to want to write more personally on the topic of his death. However, his official documentation remains impersonal. He admits that this diary is formal official document. Again, his identity is immortalized in the words he writes, in the same sense that his previous identities in the films have been immortalized on the screen. My mind ruminating on Tuesdays rehearsalwhat seemed O.K. at the time. It doesnt get immortalized on film

Jean Renoir’s film ‘A Day in the Country’ and Guy de Maupassant’s story ‘A Country Excursion’ A comparative analysis in the context of Dudley Andrews’ three adaptation strategies Essay Example

Jean Renoir’s film ‘A Day in the Country’ and Guy de Maupassant’s story ‘A Country Excursion’: A comparative analysis in the context of Dudley Andrews’ three adaptation strategies Essay Introduction: A Day in the Country is one of Renoir’s early forays into narrative story telling. One can see the tentativeness of a filmmaker finding his feet in the new medium which was only a few years past the silent films era. A characteristic of the fledgling days of cinema was its seeking of ideas and stories from classic literature and theatre. In the context of French cinema, works of such iconic writers as Victor Hugo, Emile Zola and Alexander Dumas were heavily drawn upon. Guy de Maupassant’s short story A Country Excursion is one among many instances of early cinema embracing literature. But there are numerous challenges in adapting a work of art to a radically different medium. Theatre and cinema can be said to share some affinity in terms of principles of mise-en-scene, accepted rules of screen-play, shared exploration of genres, etc. But literature to film is a big leap and film theorist Dudley Andrew identifies three basic types of adaptation – borrowing, intersecting and transforming sources. In the case of A Day in the Country to varying degrees all the three types are at play. We will write a custom essay sample on Jean Renoir’s film ‘A Day in the Country’ and Guy de Maupassant’s story ‘A Country Excursion’: A comparative analysis in the context of Dudley Andrews’ three adaptation strategies specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Jean Renoir’s film ‘A Day in the Country’ and Guy de Maupassant’s story ‘A Country Excursion’: A comparative analysis in the context of Dudley Andrews’ three adaptation strategies specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Jean Renoir’s film ‘A Day in the Country’ and Guy de Maupassant’s story ‘A Country Excursion’: A comparative analysis in the context of Dudley Andrews’ three adaptation strategies specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Borrowing: The film is said to be borrowed from the short story to the extent that there is divergence in their details pertaining to characterization, geographic description, projection of individual motive, etc. In borrowing, â€Å"the artist employs, more or less extensively, the material, idea, or form of an earlier, generally successful text†¦the adaptation hopes to win an audience by the prestige of its borrowed title or subject†¦at the same time it seeks to gain a certain respectability, if not aesthetic value, as a dividend in the transaction†. (Andrew, p.422) Renoir’s work satisfies some of these criteria better than others. Certainly the literary work is the very basis for the project of the film. Moreover, Maupassant was a household name in early twentieth century France, and thus brings a degree of prestige to the project at hand. But the particular short story, A Country Excursion, does not have the same name recollection as its author does. Renoirâ€⠄¢s enterprise does succeed in fulfill the twin key criteria of bringing respectability and aesthetic value to the transaction. The cinema produced is no injustice to the artistic standards of its source. The additional provisions afforded by the new medium add more vibrancy and color to the source text. So the idea of the film can certainly be said to have been borrowed, though with certain qualifications. Intersection: This form of adaptation is found to be the weakest in A Day in the Country. Intersection is the most infidel methods of transmuting words to film due to its limited objective. The goal of the filmmaker is less constrained, for he/she is not concerned with the entire written work but only one idea/feature within it. The task then is to experiment and find out what ‘cinema’ as a medium can ‘do’ to the original. At its heart is creative curiosity and experimentation on the part of the director. Renowned French film critic Andre Bazin has expressed intersection through the metaphor of light. Andrews paraphrases Bazin thus, â€Å"here the original artwork can be likened to a crystal chandelier whose formal beauty is a product of its intricate but fully artificial arrangement of parts while the cinema would be a crude flashlight intersecting not for its own shape or the quality of its light but for what it makes appear in this or that dark corner† (Andrews, p.423) Seen in light of this definition, A Day in the Country is the cinematic intersection of the literary work, for it brings to the table unique cinematic qualities of expression. This is most evident in passages in the film where dialogue takes backseat to visual setting, camera angles, dramatic pauses, shot montages, etc. Renoir’s application of intersection succeeds because â€Å"it produces an experience of the original modulated by the peculiar beam of the cinema.† (Andrews, p.423) Transformation: Under this framework of analysis the keywords are ‘fidelity’ and ‘essence’. To study transformation is to measure the extent to which the original text is retained in the film. Andrew identifies two broad classes – those that conform to the ‘letter’ of the source and the rest that are attuned to capturing the ‘spirit’ of the original. The â€Å"letter would appear to be within the reach of cinema for it can be emulated in mechanical fashion. It includes aspects of fiction generally elaborated in any film script providing the fiction’s context, and the basic narrational aspects that determine the point of view of the narrator (tense, degree of participation, and knowledge of the storyteller, etc†¦the skeleton of the original can, more or less thoroughly, become the skeleton of a film.† (Andrew, p.423) Evaluated in the light of this understanding of transformation, A Day in the Country is a work of very-high fidelity. Various aspects of the audio-visual narrative, including the characters and their inter-relation, the geographical, sociological, and cultural information, etc adheres to the Maupassant text. Even when evaluated for the transformed work’s capturing of the ‘essence’ of the original, the film in question answers affirmatively. The story, in essence, is one of chance romantic opportunity that eventually turns out to be a nostalgic memory for Henri and Henriette. This is the central feeling that the reader of the short story as well as the viewer of the film carry with them afterwards. It can be claimed that Renoir’s faithful replication of various socio-cultural details mentioned in the original is not for its own sake but in order to encapsulate the ‘spirit’ or ‘essence’ of its source. Works Cited: Dudley Andrew, Adaptation, From Concepts in Film Theory, retrieved from on 23rd October 2013 Guy de Maupassant, A Country Excursion, retrieved from on 23rd October 2013 A Day in the Country (Partie de Campagne) 1936, accessed from on 23rd October 2013

The eNotes Blog Man Booker Prize ShortlistAnnounced

Man Booker Prize ShortlistAnnounced One of the most coveted accolades in the literary world is to be shortlisted for the Man Booker Prize.   As 1996 winner Graham Swift commented, Prizes dont make writers and writers dont write to win prizes, but in the near-glut of literary awards now on offer, the Booker remains special. Its the one which, if were completely honest, we most covet. The $50,000 is quite nice as well. Not only do authors look forward to the prize, but so too do booksellers. Following the announcements of the lists and the eventual winner, sales historically increase exponentially. The prize is awarded yearly to the best novel written in the English language.   The longlist, comprised of   thirteen novels, was announced on July 27. That longlist was pared down to a six novels on September 7. The eventual winner will be revealed on October 12. This years contenders are: Peter Carey Parrot and Olivier in America (Faber and Faber) Emma Donoghue Room (Picador Pan Macmillan) Damon Galgut In a Strange Room (Atlantic Books Grove Atlantic) Howard Jacobson The Finkler Question (Bloomsbury) Andrea Levy The Long Song (Headline Review Headline Publishing Group) Tom McCarthy C (Jonathan Cape Random House) Man Booker also offers Reading Group Guides for all of the books in contention, including the works on the longlist.

Education study Essay Example | Topics and Well Written Essays - 1250 words

Education study - Essay Example Politicians have long been involved in this practice. A good example would be Mitt Romney, a man widely criticized for supporting a policy that calls for English only while simultaneously running commercials in Spanish dialect. This paper will provide insights on the controversies that surround political influence in languages. It explains why these controversies are still relevant. Afar from symbolism, promotion of any language in favor of others can be termed as fundamentally political. This American example forms a strong point of reference to such political language controversies. It would be to some extent right to say that the U.S is probably the home to countless bilingual speaking persons than any other nation on the globe. Culture diversity and linguistics has been extensive for more than two centuries owed to the fact that immigrants settled here from all walks and carried along their language, values and culture. However, regardless of the multiplicity of languages here, there are no limitations to the importance accorded to the common language. There has been a dominant, the colonizers’, language that has advanced to a variety referred to as a Standard American English’s emergence that incorporates native words and conjures its unique spelling and accent (Crawford 145). Those we call the founding fathers made it deliberate to leave designation in the United States of English as an official language mostly probably because it might not have occurred to them given that decision making was actively avoided in an attempt to accord respect to the national diversities. However, this idea has always been considered hostile to interdependence and interests of respective states brooding a tolerant attitude to be favorable. It was not until the 1980s that the anti-minority politics demanded its protection whilst restricting other languages. Political arenas had not taken up the language issues from the